Saturday, 1 July 2017
Somehow there always existed a relation with Brazilian Bossa Nova in Eastern Europe. Specially in times when coffee places behind the Iron Curtain flourished and nightly neon lights were flirting with western titles creating a concealed idea of a vibrant night life throughout all of the Eastern European capitals. Latin American tunes were played by jazz bands of the fifties and sixties and the particular feeling lived on all the way to the revival of the retro lounge movement around the change of the millenium, reminiscing the geometrical design imagery and nightly recreation created during the socialist times. It was a strange daily life counterpart to a political system that on the other hand ofcourse was looked upon as a system of repression and terror in many ways. Nevertheless exploring the artists, designers and architects from the time one notices that this culture also contained something unique and refined. Besides that it coincidentally and not so coincidentally had a lot in common with modernism in Latin America.
Jana Koubková is a Czech Jazz singer that was active from the seventies in many Jazz groups like C&K Vokal and Jazz Fragment Prague. In 1985 she created her first solo album Bosa that can be viewed as a unique Czech deconstructed experimental avant-garde Bossa Nova album. Apart from the rhythms that are used, it's mainly a voice and scat album with weird overdubs, free jazz explosions and experimental repetitions. Actually it fits quite well next to the Brazilian contemporary music from the mid eighties that used traditional rhythm and melody with new experiments and unconventional instruments like Andréa Daltro or Cinema.
Bosa examplifies Jana Koubková's creativity and progressive spirit and totally exceeds a mere jazz album. This is true singing talent molded into avant-garde voice experiment art comparable to the amazing work of Russian singer Valentina Ponomareva (or for that matter).
Another one for this summer (letní)!
Get it HERE