Saturday, 27 August 2016
A year ago I posted an album by Dutch improvisation pianist Guus Janssen on the blog and here is a second one: Janssen is a frequent member of the Instant Composers Pool and the key figure in Dutch piano improvisation. He always breaks down different genres into an unclassifiable mixture. He plays jazz, classical music, circus-melodies, pop, but never really ends up in either one of these genres.
Tast Toe, meaning something like help yourself (it also refers to hitting the keys of a piano in a weird linguistic way) is another album in which Janssen rapidly creates his accessible impro tunes while dissecting free-jazz into carnival melodies while entering chamber music realms while simultaneously staying on all borders. I guess it's only to be noticed when giving this a more proper listen, because at first glance it's a bit of conventional piano play. Nevertheless this is another interesting piece of the Amsterdam based Claxon records puzzle. Claxon was one of the best Dutch labels for improvisation music active at the end of the seventies and the eighties. All these pieces were recorded live in Amsterdam in 1981.
Get it HERE
Friday, 19 August 2016
Vinterhjärta, meaning Winter Heart, was an obscure impressionist prog outfit from Sweden that consisted of Peter Bryngelsson, Dan Jonsson and Lars Liljegren. Although summer is still here, maybe we can engage in these winter soundscapes in a less frustrated way than when winter is actually in full effect later on (at least here in Europe). I guess the Swedes aren't bad in translating these particular environmental circumstances into musical moods. I'm sure the outfit was actually inspired by the season of winter.
Vinterhjärta plays moodish pieces in which progressive rock elements, ambient sounds and gentle piano play is intertwined. The A-side is a 38 minute long track in which synthesizers and guitar create a dreamy world reminiscent of the more mellow releases of the French Pôle label in the seventies or of cosmic Heldon guitarist Alain Renaud. It is maybe improvised in a bit too conventional cheesy manner, but it still takes you into a certain world, because it doesn't change drastically or builds up towards more energetic heights or anything. It's an impressionist prog piece that's gets specially interesting when the synthesizers are more apparent.
The B-side has eight different shorter pieces, usually created with piano and synths shaping different moods and atmospheres. The pieces are gentle, spooky and dreamy at same time. It reminds me a bit the Dutch soundtrack made by Louis Andriessen named Golven (connected to the Dutch Noordzee) or Scandinavian ECM releases if they contained a bit more of the darkness from the eighties with electric guitar disturbance. All in all it's a beautiful and peaceful album from Sweden's eighties and fits in the current interest in more ambient musical works from the eighties.
Get it HERE
The blog had a bit of a hiatus lately because I was out of town and I was pretty busy. Sometimes there will be periods in which it's harder to keep up the consistency. Nevertheless some of the best posts are still to come. I've got quite some insane material for the near future!