Thursday, 28 September 2023

M.A.B. - Words Never Told -1986- (Cassette, Anti-Musik Der Landsh, AML 5), Poland

 

Here's another relic from behind the iron curtain on the great Polish cassette label Anti-Musik Der Landsh that was founded by Mariusz Blachowicz in the small town of Łańcut. The label is another prime example of the hidden counter cultural expressions that were going on in the underground during the socialist times in Eastern Europe in the last century. In a nutshell, first there was state controlled cultural propaganda, then there were examples of youth culture expressions in music that were somehow allowed and then there were things like this, done by a handful of people somewhere deeply hidden in their small towns and basements with some recording equipment solely driven by their own need for expression and a need for artistic freedom. Usually also not really fond of the political circumstances, though never explicitly political. Just a feeling of being stuck, no where out and in need for something to do. Even if by the late 80's the situation had already somewhat softened, not being able to be properly classified by the authorities was potentially enough to somehow incriminate you.

Anti-Musik Der Landsh published a range of incredible Polish underground acts like R-27, Hiena, Reportaż, Rafael and KSU. Most of the music was free improvisation driven, a Polish signature that was also very apparent in the second half of the twentieth century in Polish jazz and contemporary composed music. But the other sonic side of the spectrum was already infused by punk and even more marginally so by industrial outings. Maybe some of those abstract sounds went along fine against the backdrop of some of the bleaker Polish urban landscapes.

M.A.B. was a project by Mariusz Blachowicz himself that was dedicated to his own experiments with tape loops, radio sounds, the manipulation of instruments and free improvisation. Three M.A.B. cassettes were released on AML and all three sound very different from each other. Words Never Told is a lo-fi primitive recording of cassette experimentation colliding with homemade anti-folk-rock; basically the sound of escapism and freedom against the weight of the last decade of a repressive political system that had Eastern Europe in its grip until the hopeful moment of the fall of the Berlin wall in 1989 and the gradual collapse of the Soviet Union. But unfortunately, whenever old problems dissolve, new problems rise. Or maybe the problems were never solved. Maybe it's time to grab that old tape recorder and that broken guitar again from the basement... Who knows. Te zabawki robią trochę hałasu i szkód. A ta była naprawdę prymitywna.

Get Words Never Told HERE

Friday, 1 September 2023

Masaki - Tubo -1982- (Cassette, Stratosphere Music 001), Japan

 

Dear music friends, it has been a while! Had to adjust to some new life developments, couldn't come up with the right connecting piece (it's all in my mind obviously) and even thought to maybe quit this blog after more than ten years. I could go into everything that is going on out there in the world and fabricate some narrative about where we are standing in these common music fields, but everyone knows what's the situation, so why even bother. Another thing is I'm also not really in a hurry I guess. Let's just go for another run now that summer is over and see what comes next. Maybe a longer hiatus will just happen every now and then. So with that being said.

Here's a nice short cassette by Japanese home-taper Masaki 江口昌記 (Eguti Masaki). He worked on collaborations in the early 80's with Merzbow and the Italian industrial project Laxative Souls a.o. He also had his own label called Stratosphere Music of which the most iconic release was that 40 Days / 40 Nights picture disc compilation that was posted on Mutant Sounds ages ago. 

Even though I suppose that contextually one might feel that this music is quite on the noise and industrial side of the spectrum, I find it more playful and primitive. Maybe minimal synth-ish even. Great cut-ups with primitive drum machines, analog effects. Has a resemblance of a lot of stuff on Vanity Records (ofcourse).

Enjoy and Macht das 耳 auf!

Get it HERE

Sunday, 30 April 2023

Vol Sec - Game Over -1981- (Cassette EP, Attrix Records), UK

 

It has been a while (for several reasons) but here it goes again. Vol Sec (originally Voluntary Sector) was a post-punk outfit from Brighton that emerged from the band The Parrots in late 1979 or early 1980. The band consisted of Les Phillips (drums), Brenda Robinson (vocals), Rick Blair (guitar, vocals, synth), Colin Murray (bass), Jay Derrick (keyboards, synth, vocals), Nick Wells (guitar) and Tom White (trumpet). Rick Blair was simultaneously running Attrix Records (which also was a record store).

Vol Sec was embedded in a larger local scene of punk, post-punk and new wave groups. The main underground venue for this music scene in Brighton was The Vault. Other venues where punk gigs took place were the Alhambra and the Buccaneer. Vol Sec's song Love (Sic) was used as the signature tune for Radio Brighton's weekly programme featuring Brighton bands, which went out during 1980-1981. The Vol Sec sound is a nice mixture of post-punk and new-wave funk. 

More information on the entire scene in Brighton at the time is to be found here.

Get it HERE

Saturday, 11 February 2023

Various Artists - Musicworks 48 - Warren Burt, Rhys Chatham, Susan Frykberg -1990- (Cassette, Musicworks), Canada

Here's another Musicworks cassette compilation. Musicworks was a journal that focused on Canadian avant-garde music as well as music recorded during music meetings in Canada by foreign musicians. It was founded by Andrew Timar and John Oswald in Toronto. Numerous cassettes were released and accompanied by background information and different articles on music.

This volume includes:

France based American composer Rhys Chatham known for his orchestral works for electric guitars and compositions with guitar, trumpet, keyboards and electronics. He studied under electronic music pioneer Morton Subotnick and minimalist icon La Monte Young and was a member of Young's group, The Theater of Eternal Music, during the early seventies. Chatham also played with Tony Conrad in an early version of Conrad's group, The Dream Syndicate.

Composer, ethno-musicologist and percussionist Don Wherry who was also part of the improv outfit The Black Auks. Didgeridoo player, flutist and sound sculpture creator Susan Rawcliffe. Composer, performer, video artist, sound poet, writer and instrument maker Warren Burt and electroacoustic composer Susan Frykberg from New Zealand. 

More info on the different pieces in the included liner notes.

Kindly donated by Matthew

Get it HERE

Tuesday, 31 January 2023

Error - Strange Universe -1991- (Cassette, Self-Released), US

So I never thought another cassette by Error would surface after stumbling upon their earlier Show Off Your Mutants tape, but I was wrong. Here it is! Error was an electronic music group from the small sea town of Corpus Christi in Texas. On this release it says that the music was made by Geronimo (voice/instruments) and Big Chief (instruments), however it might as well be a solo project, who knows.

Just like Error's previous cassette Strange Universe is an interesting collage of samples, electronics, drum machine patterns and EBM basslines. This album reflects a much more colorful 90's sound than the previous one that leans more towards darker EBM sounds. However Error definitely has a more humorous approach to their music in general which keeps reminding me of Severed Heads. The sound and attitude illustrate that the new dawn of musical styles of the 90's had risen. Unpolished, creative and fun cassette-making in hidden corners of the world during the global rave-olution. The Strange Universe of Error.

Kindly donated by The Y Create Archive

Get it HERE


Message:
Next month this blog will be 10 years old and there might be some sort of project celebrating that. I will give an update on that once I know more in February. Simultaneously this might be the last year of doing this or maybe I can't let go and will keep going. I don't know. Maybe it's time for other priorities. Probably what is still to come combined with the pace of this blog will be already more than a year of material. Some stuff I kept in the vaults for years. So let's keep it organic and see!

Sunday, 15 January 2023

Dust And The Minds Featuring Brenray - Prosperó Año Nuevo (PAN) -1985- (Double Cassette, Egmondse Klank Opsessie E.K.O. 06), Netherlands

 

Let's start the new year with another special cassette by the Dutch anarchist, free-form home-taping group Dust And The Minds. The band hailed from the surroundings of the small village of Egmond-Binnen and was created by the brothers Fred and John Valkering who were accompanied by a lot of different other musicians. The Valkering brothers established their cassette label Egmondse Klank Opsessie (Egmond sound obsession/on session) to release their different musical disguises like Dust And The Minds, Comrades Creating, Hafre as well as solo works. During the 80's they released dozens of cassettes of which many were beautifully created and released with DIY booklets, drawings, posters, unusual packages etc.

Prosperó Año Nuevo (PAN) is an extensive release with over two hours of pure DIY no-wave, post-punk and anarcho-punk sounds that was released for the new year of 1986. Apparently it's a mix between Dust and The Minds and a band with a slightly different line-up called Brenray. The cassettes were housed in a larger book-like case with information on the recording dates and line-up etc.

The output on the Egmondse Klank Opsessie has been vast and mind-blowingly authentic and home-made. The entire surroundings of Egmond and the smaller towns and villages in the province of North-Holland were always a very important fertile soil for (anarcho)punk in The Netherlands. Places like Wormerveer, Koog aan de Zaan, Heiloo, Castricum and their surroundings are some of the birthplaces of the typical Dutch punk sound that incorporates detuned improvisation and noise elements. This in contrast to the usually more structured sound of HC punk or the classic three-chord punk songs.

Some wonderful DIY sounds from 80's Holland. There is a lot more to say about all of this, but it's better to just give this a listen.

Knock knock who's there? I'm not. 1986.....

Get it HERE

Saturday, 24 December 2022

Thomas Girke - Elektronik Musik -1983- (Cassette, Togi Music), Germany

 Merry Christmas to all friends and followers of the blog!

Is that an image of the Brooklyn Bridge with the Twin Towers in New York? Can't really figure out the angle of the photo though. Ofcourse those towers were already there decades before they got used to scam us into the new millennium. But whether this image is a correct depiction of the skyline is quite unclear. Actually it doesn't really matter. All we care for is that those UFO's high up there in the sky were real! The rest is basically constructed around them. Skyscrapers, UFO's, modern metropoles: some key signs of the future in one depiction. Needless to say that within such a vision Thomas Girke from West-Berlin created a wonderful and futuristic soundtrack.

Elektronik Musik is a piece of Berlin School analog electronics on the synth-pop and minimal synth side of the spectrum. Analog arpeggiators, keyboard melodies, electronic syncopations and drum computer rhythms take us on a neon-light disco journey across the elektronik sky by way of China Town into synthetic dreams in time and space.

Quick get on board of the UFO! I heard those aliens have a space dancefloor and they are spinning some Italo disco records. Might have heard some Patrick Cowley and Stratis up there in the sky. Is that Magic Fly by Space now?! Abandon earth!

Get it HERE

Wednesday, 14 December 2022

Viktimized Karcass - Skinned Alive -1987- (Cassette, Sound Of Pig - SOP 86), US

 

Viktimized Karcass was an experimental underground band from Memphis, Tennessee that was strongly embedded in the cassette culture of the 80's. The band consisted of Chris Phinney (founder of the Harsh Reality cassette label), Michael Thomas Jackson, Richard Martin, Robert Henson and Roger Moneymaker. The music consists of psychedelic jams, electronic experimentation, tape-loops and other improvised sounds. Most of the members were also involved in solo projects and contributed immensely to the shaping of the cassette culture of home-tapers. Viktimized Karcass released many cassettes on a variety of international cassette labels. 

Skinned Alive was released through Sound Of Pig, a pivotal cassette culture label from New York that was created by Al Margolis (aka If, Bwana). There are some far out space rock jams on here. It reminds me a bit of Smersh or Sponge. Wonderful stuff.

Kindly donated by The Y Create Archive

Get it HERE

Saturday, 19 November 2022

Various Artists - Καθαρος - Emanation: Treasure The Fertile Soil In This Barren Land, And Receive -1986- (Cassette, Katharos Foundation), Netherlands

 

The Katharos Foundation was a collective of audio-visual artists and musicians from Tilburg, The Netherlands, established in February 1986. They used performative, conceptual and multi-media aspects in their work which incorporated transgressive elements. There were different musical guises of which a notable one was the industrial Sluagh Ghairm. That band would later turn into the tribal techno act Psychick Warriors Ov Gaia which would gain both domestic and international fame. Some band members were apparently part of Thee Temple ov Psychick Youth.

During the phase of the Katharos Foundation exhibitions and concerts took place a.o. alongside bands like Étant Donnés, Coup de Grace and Zombies Under Stress. The Katharos Foundation also functioned as an imprint releasing a number of cassette compilations during their short existence. All in all they can be viewed as another group of industrial culture representatives in The Netherlands.

Καθαρος - Emanation: Treasure The Fertile Soil In This Barren Land, And Receive is a compilation that brings together the different acts under the Katharos umbrella. It displays industrial electronics, home recordings, live recordings and performance sounds. It came with a large booklet with artwork which unfortunately is not included here.

 Kindly donated by The Y Create Archive

Get it HERE

Tuesday, 15 November 2022

Naomi N'Uru - Wurm -1989- (LP, Überschall Records), Germany

 

Naomi N'Uru was a project by Caroline Frerichs and Rasmi Nithokar from the Northern German town of Bremerhaven. They released a couple of cassettes as well as this record and a CD. They also recorded under the name Cosmic Dance Society which I highly recommend to check out. 

The music on Wurm consists of late EBM style music with lots of cut-ups, sampling and strange transitions. Occasionally it becomes a little more melodic gothic wave-like, but maintains its EBM core. Ofcourse iconic bands like Front 242 or Front Line Assembly come to mind, but it mostly fits that 80's into the 90's transition phase on the still more industrial side of the electronic music spectrum.

The record was hand-numbered and quite a fragile pressing. My copy was a bit warped unfortunately so the sound quality isn't the greatest throughout. 

Get it HERE

Thursday, 13 October 2022

Regicide Bureau #12 - A Rose Of Beds, In The Cross Of The Sign -1988- (Cassette, Regicide Bureau), US

 

Regicide Bureau was a home-taping project and label from Overland, Saint Louis, Missouri created by Thomas Sutter. By himself and together with other befriended musicians Sutter released numerous cassettes throughout the 80's and 90's. The majority of those cassettes were never for sale and could only be obtained by exchanging cassettes. The Regicide Bureau was an important force and institution within the global home-taping cassette culture which created an autonomous music infrastructure far away from the commercial music industry. Associated acts that included Tom Sutter were a.o. Next Radio, Drive!Hesaid, Regimental Anguish and Berlin Diary (with the Berlin based musician M. Finnkrieg during Sutter's time residing in Berlin).

A Rose Of Beds, In The Cross Of The Sign (nice word scramble) is a bit different than most Regicide Bureau tapes I've heard because it doesn't display the characteristic alchemical sound of electronics, synthesizers, vocals and tape collage. Instead the recording consists of four improvised pieces of electric guitar loops played by Tom Sutter technically assisted by Dave Schuey. The sound is rather minimalistic, lo-fi and hypnotic.

I just found out you can listen and download the latest 2022 release by Regicide Bureau over here on the Nostalgie De La Boue label. Tom Sutter honestly did some remarkable music over the past decades and still goes strong.

Lastly, I think some more uneasy listening and darker stuff is coming to the blog towards the end of the year because that happens to be in the pipeline at the moment. Perhaps it suits the times we are facing.

Get it HERE

Kindly donated by The Y Create Archive

Wednesday, 14 September 2022

Gnot - Encyclopedia Galactica -1994- (Cassette, Self-Released), Netherlands

 




OCCII Amsterdam 30th Anniversary celebration post!

OCCII (Onafhankelijk Cultureel Centrum In It) is one of Amsterdam's last standing autonomous cultural venues that revolves around the elements of inclusivity, DIY action and a wide variety of live music as well as political and social activities. Besides local indie bands, jazz or world music it's also a home for free improvisation, psychedelic electronics, noise, punk and much more. OCCII emerged from the Amsterdam squatting scene of the 80's and later gained a legal status. It slowly but surely established itself as one of the true free spaces for music heads in town built on community principles.

Thanks to its many volunteers, it has a consistent weekly program of music, children's activities, workshops and talks. Throughout the last 30 years OCCII as a venue has gained a cult status among many international underground musicians that came to play. Simultaneously it has built a broad audience that reaches far beyond Amsterdam. To celebrate the 30th anniversary today, the 14th of September 2022, it's time to share a live recording from the early days of the venue. Moreover, there are not many recordings from that early period, so if someone happens to have any other material from that time feel free to get in touch.

Gnot was an Amsterdam based ever-changing free improvisation and noise rock collective founded by Arjan van Sorge that was active throughout the 90's. During their live performances they also added a few theatrical and dance elements. Encyclopedia Galactica is a live recording of Gnot at OCCII Amsterdam that took place on September the 30th, 1994. On this occassion the band consisted of Arjan van Sorge (Drums), Bram Hessels (Guitar), Peter Verzijl (Guitar), Joe Williamson (Bass) and Pisti Benecz (synthesizer).

The concert was improvised and later divided into individual tracks with different titles and released privately on cassette in limited quantities. It's a little relic from the 90's underground scene of Amsterdam when free improvisation had its connection with the local squatting scene and different artist communes as well as autonomous (pirate) radio stations while the soil was being laid down for local underground venues like OCCII. Some other impro-noise acts from around those days were the Amsterdam based ex-Yugo acts of a.o. Gone Bald and De Reizende Verkoper and ofcourse the many ofshoot acts of the late great The Ex.

Long live the OCCII! 

This post is dedicated to everyone that has played a part at OCCII over the last 30 years.

Check out OCCII Amsterdam today.

From the collection Allard Pierson/NPI

Get it HERE

Thursday, 8 September 2022

Seemen - Woozy! -1991- (Cassette, Self-Released), US


 

Originally from Austin, Texas, Seemen is the collaborative effort of Kal Spelletich and some forty odd art drop outs and extreme technology inventors who enjoy building extreme machines and robots that they allow their audience to operate. 

Since the late 80's and 90's Spelletich has been doing performances with Seemen and the notorious Survival Research Laboratories. Through the extremes of technology, the building of giant metal robots, pyrotechnics and other inventive dangerous constructions many incredible installations have graced both festivals and urban wastelands. Simultaneously the musical output connected to that has been an important element. Inevitably the clinging of metal, fire and flames and other robotic mechanisms create sounds, Seemen also made some really special cassettes that were circulating in the home-taping culture.

Within that late 80's and early 90's realm quite some urban area's were not as gentrified as they are today thus able to provide some space for these greater machine endeavours. The art and its surroundings played an important role on each other. Not only because of the artistic nature, but also because the artists would sometimes work on these giant living sculptures and robots for months. Therefore many of the artists started to become part of the surrounding communities and meet people who, in their turn, would help on some of the projects and vice versa. For example during their time in Amsterdam a collective like Survival Research Laboratories helped barricading some squats showing support during their eviction. A performance art group like the Mutoid Waste Company in England started to engage with the free party rave scene. Eventually they even established their own village called Mutonia in Italy. These are just some examples, but there are many more stories. In the new millenium this type of art has moved to festivals because the neo-liberal globalized urban environment leaves less and less space to be engaged with.

Woozy! was a self-released cassette by Seemen from 1991. From the cover:

The Seemen don't want to be your traditional Rock-n-Roll band which follows traditional formats. The idea being to produce something creative and innovative. Traditions are made to be broken and broken they are. There is no reason to repeat history! To repeat yourself when you have mastered something means it's time to move on to something more challenging. The future of music isn't guitar solos and drum machines but the sound of a vacuum cleaner or a child laughing. If music is to progress it needs to go beyond The Format (percussion/rhythm/solo/vocal). The forbearers of THE NEW WILL not be the Euro-X-Dance Beat Generation but the intelligensia who are willing and ABLE to grow beyond what Chuck Berry accomplished 30 years ago.

Kindly donated by The Y Create Archive

Get it HERE

Thursday, 25 August 2022

Square Sun (D. Trevarthen) / Royal Flush - Split Tape -1989- (Cassette, The Head Corporation/Black Death), Scotland/Netherlands

Here's an odd but great one. It took me some time to decipher this cassette since the cover kind of confused me at first. In any case it seems to be a split tape between Scottish home-taper Dion Trevarthen (also known as Square Sun) and Royal Flush, a home-taping act that was released by the Black Death tape label from the small town of Zoetermeer, The Netherlands. Black Death was created by Marcel Tuijenburg. A label which a.o. published compilations of the international home-taping community. The music on this cassette by Royal Flush seems to have been a solo effort by B. du Perron who creates a long dark ambient soundscape.

The other side of the tape consists of some dazzling hypnotic acid drenched electronic music by Dion Trevarthen. Hailing from the village of Aberlady, East Lothian, Trevarthen was part of a psychedelic space-rock group called Sponge along with his two brothers. He also released his own electronic music under the name Square Sun on various international tape labels. One of the most notable releases was the Tierversuche, Das Perfekte Konzept Der Selbstvernichtung tape on the German cassette label IRRE.

Fluorescent Tube Shadows is a mind-bending psychedelic piece of electronic home-taping music. There are many electronic textures, radio waves, rhythms and strange transitions going on. I recommend hearing this loud on some serious speakers and not just some screenspeakers. It has a very immersive deep sound that almost absorbs you. Within home-recordings it illustrates the transition of the 80's minimal synth sound into some of the new electronic music of the 90's, but somehow remains ungraspable. Some other acts that might be alike are Ras.Al.Ghul from Portugal or Delta-Sleep-Inducing Peptide from Germany. Or or or.

It would be great if some label would reissue some Square Sun music, but I guess it's wishful thinking.

Get Fluorescent Tube Shadows HERE

Kindly donated by the Y Create Archive

Tuesday, 2 August 2022

Various Artists - Warmth And Silence -1988- (Cassette, Epitapes), US/International

 

Here we have yet another compilation on Epitapes that was established by Mike Tetrault from Belchertown, Massachusetts. Throughout the 80's dozens of these compilations were created. Each compilation was based around a certain theme and assembled accordingly by Mike Tetrault. Some of the tracks were taken from existing releases while others were sent specially for these tapes. You can read an interesting interview about these cassette series with Mike Tetrault over here.

The title of this cassette "Warmth And Silence" already reveals the type of music that was selected for this compilation: subtle ambient experimental sounds for more than one hour and a half created by a large range of home-taping projects from around the globe. Present on here are quite a few more known cassette culture protagonists like Illusion Of Safety (Dan Burke, US), Hessel Veldman (Holland), DZ Lectric (France),  Hands To (Jeph Jarman, US) and Los Paranos (Christophe Petchanatz, France). 

A curiosity on this compilation is that Mike Tetrault also features a piece by himself in which delicate rhythms create a base for a whispered reading of André Breton's surrealist poem "Freedom Of Love".

Get it HERE

Kindly donated by the Y Create Archive