Mail Muzak (A.D. Eker & Misao Kusumoto) - The Art Of Sound For Slaves Of Obedience -1984- (Cassette, Soft Joke Productions), Netherlands/Japan

 

This is a short double-sided cassette which was the result of a collaboration between A.D. Eker (a Dutch musician from the city of Zwolle and founder of the experimental music collective and label De Fabriek) and Japanese artist Misao Kusumoto from Nishinomiya City. A.D. Eker also had his own label called Soft Joke Productions under which a number of short home-taping cassettes, including the one here, were published.

The Art Of Sound For Slaves Of Obedience was a conceptual piece of mail-art music, exchanged between The Netherlands and Japan. The lyrics that were used were translated from Japanese to Dutch and from English to Japanese. The question being asked on this tape is: what is quality anyways?

What is quality, and who fixed the form.
What is quality, and who fixed the form.

Is it as one says or is it yet different.
Is it as one sees, or do you see different.
Is it different, because one feels so.

What is quality, and who fixed the form.
What is quality, and who fixed the form.

Is it different, because one says so.
Is it different, because one sees so.
Is it different, because one feels so.

What is quality, and who guards the norm.
What is quality, and who guards the norm.

Is it the gross, that only looks at T.V.
Is it the gross, that always says no, no, no.
It it the gross, that looks so O.K.

What is quality, and who guards the norm.
What is quality, and who guards the norm.

Who ever decided, quality is no norm.
Who ever decided, quality is.
Who ever decided, quality is not.
No one rules okay, as you see!

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From the collection Allard Pierson/NPI

Gnot - Encyclopedia Galactica -1994- (Cassette, Self-Released), Netherlands

 

OCCII Amsterdam 30th Anniversary celebration post!

OCCII (Onafhankelijk Cultureel Centrum In It) is one of Amsterdam's last standing autonomous cultural venues that revolves around the elements of inclusivity, DIY action and a wide variety of live music as well as political and social activities. Besides local indie bands, jazz or world music it's also a home for free improvisation, psychedelic electronics, noise, punk and much more. OCCII emerged from the Amsterdam squatting scene of the 80's and later gained a legal status. It slowly but surely established itself as one of the true free spaces for music heads in town built on community principles.

Thanks to its many volunteers, it has a consistent weekly program of music, children's activities, workshops and talks. Throughout the last 30 years OCCII as a venue has gained a cult status among many international underground musicians that came to play. Simultaneously it has built a broad audience that reaches far beyond Amsterdam. To celebrate the 30th anniversary today, the 14th of September 2022, it's time to share a live recording from the early days of the venue. Moreover, there are not many recordings from that early period, so if someone happens to have any other material from that time feel free to get in touch.

Gnot was an Amsterdam based ever-changing free improvisation and noise rock collective founded by Arjan van Sorge that was active throughout the 90's. During their live performances they also added a few theatrical and dance elements. Encyclopedia Galactica is a live recording of Gnot at OCCII Amsterdam that took place on September the 30th, 1994. On this occassion the band consisted of Arjan van Sorge (Drums), Bram Hessels (Guitar), Peter Verzijl (Guitar), Joe Williamson (Bass) and Pisti Benecz (synthesizer).

The concert was improvised and later divided into individual tracks with different titles and released privately on cassette in limited quantities. It's a little relic from the 90's underground scene of Amsterdam when free improvisation had its connection with the local squatting scene and different artist communes as well as autonomous (pirate) radio stations while the soil was being laid down for local underground venues like OCCII. Some other impro-noise acts from around those days were the Amsterdam based ex-Yugo acts of a.o. Gone Bald and De Reizende Verkoper and ofcourse the many ofshoot acts of the late great The Ex.

Long live the OCCII! 

This post is dedicated to everyone that has played a part at OCCII over the last 30 years.

Check out OCCII Amsterdam today.

From the collection Allard Pierson/NPI

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Seemen - Woozy! -1991- (Cassette, Self-Released), US

 

Originally from Austin, Texas, Seemen is the collaborative effort of Kal Spelletich and some forty odd art drop outs and extreme technology inventors who enjoy building extreme machines and robots that they allow their audience to operate. 

Since the late 80's and 90's Spelletich has been doing performances with Seemen and the notorious Survival Research Laboratories. Through the extremes of technology, the building of giant metal robots, pyrotechnics and other inventive dangerous constructions many incredible installations have graced both festivals and urban wastelands. Simultaneously the musical output connected to that has been an important element. Inevitably the clinging of metal, fire and flames and other robotic mechanisms create sounds, Seemen also made some really special cassettes that were circulating in the home-taping culture.

Within that late 80's and early 90's realm quite some urban area's were not as gentrified as they are today thus able to provide some space for these greater machine endeavours. The art and its surroundings played an important role on each other. Not only because of the artistic nature, but also because the artists would sometimes work on these giant living sculptures and robots for months. Therefore many of the artists started to become part of the surrounding communities and meet people who, in their turn, would help on some of the projects and vice versa. For example during their time in Amsterdam a collective like Survival Research Laboratories helped barricading some squats showing support during their eviction. A performance art group like the Mutoid Waste Company in England started to engage with the free party rave scene. Eventually they even established their own village called Mutonia in Italy. These are just some examples, but there are many more stories. In the new millenium this type of art has moved to festivals because the neo-liberal globalized urban environment leaves less and less space to be engaged with.

Woozy! was a self-released cassette by Seemen from 1991. From the cover:

The Seemen don't want to be your traditional Rock-n-Roll band which follows traditional formats. The idea being to produce something creative and innovative. Traditions are made to be broken and broken they are. There is no reason to repeat history! To repeat yourself when you have mastered something means it's time to move on to something more challenging. The future of music isn't guitar solos and drum machines but the sound of a vacuum cleaner or a child laughing. If music is to progress it needs to go beyond The Format (percussion/rhythm/solo/vocal). The forbearers of THE NEW WILL not be the Euro-X-Dance Beat Generation but the intelligensia who are willing and ABLE to grow beyond what Chuck Berry accomplished 30 years ago.

Kindly donated by The Y Create Archive

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