Showing posts with label DIY. Show all posts
Showing posts with label DIY. Show all posts

Thursday, 28 September 2023

M.A.B. - Words Never Told -1986- (Cassette, Anti-Musik Der Landsh, AML 5), Poland

 

Here's another relic from behind the iron curtain on the great Polish cassette label Anti-Musik Der Landsh that was founded by Mariusz Blachowicz in the small town of Łańcut. The label is another prime example of the hidden counter cultural expressions that were going on in the underground during the socialist times in Eastern Europe in the last century. In a nutshell, first there was state controlled cultural propaganda, then there were examples of youth culture expressions in music that were somehow allowed and then there were things like this, done by a handful of people somewhere deeply hidden in their small towns and basements with some recording equipment solely driven by their own need for expression and a need for artistic freedom. Usually also not really fond of the political circumstances, though never explicitly political. Just a feeling of being stuck, no where out and in need for something to do. Even if by the late 80's the situation had already somewhat softened, not being able to be properly classified by the authorities was potentially enough to somehow incriminate you.

Anti-Musik Der Landsh published a range of incredible Polish underground acts like R-27, Hiena, Reportaż, Rafael and KSU. Most of the music was free improvisation driven, a Polish signature that was also very apparent in the second half of the twentieth century in Polish jazz and contemporary composed music. But the other sonic side of the spectrum was already infused by punk and even more marginally so by industrial outings. Maybe some of those abstract sounds went along fine against the backdrop of some of the bleaker Polish urban landscapes.

M.A.B. was a project by Mariusz Blachowicz himself that was dedicated to his own experiments with tape loops, radio sounds, the manipulation of instruments and free improvisation. Three M.A.B. cassettes were released on AML and all three sound very different from each other. Words Never Told is a lo-fi primitive recording of cassette experimentation colliding with homemade anti-folk-rock; basically the sound of escapism and freedom against the weight of the last decade of a repressive political system that had Eastern Europe in its grip until the hopeful moment of the fall of the Berlin wall in 1989 and the gradual collapse of the Soviet Union. But unfortunately, whenever old problems dissolve, new problems rise. Or maybe the problems were never solved. Maybe it's time to grab that old tape recorder and that broken guitar again from the basement... Who knows. Te zabawki robią trochę hałasu i szkód. A ta była naprawdę prymitywna.

Get Words Never Told HERE

Sunday, 30 April 2023

Vol Sec - Game Over -1981- (Cassette EP, Attrix Records), UK

 

It has been a while (for several reasons) but here it goes again. Vol Sec (originally Voluntary Sector) was a post-punk outfit from Brighton that emerged from the band The Parrots in late 1979 or early 1980. The band consisted of Les Phillips (drums), Brenda Robinson (vocals), Rick Blair (guitar, vocals, synth), Colin Murray (bass), Jay Derrick (keyboards, synth, vocals), Nick Wells (guitar) and Tom White (trumpet). Rick Blair was simultaneously running Attrix Records (which also was a record store).

Vol Sec was embedded in a larger local scene of punk, post-punk and new wave groups. The main underground venue for this music scene in Brighton was The Vault. Other venues where punk gigs took place were the Alhambra and the Buccaneer. Vol Sec's song Love (Sic) was used as the signature tune for Radio Brighton's weekly programme featuring Brighton bands, which went out during 1980-1981. The Vol Sec sound is a nice mixture of post-punk and new-wave funk. 

More information on the entire scene in Brighton at the time is to be found here.

Get it HERE

Wednesday, 14 September 2022

Gnot - Encyclopedia Galactica -1994- (Cassette, Self-Released), Netherlands

 




OCCII Amsterdam 30th Anniversary celebration post!

OCCII (Onafhankelijk Cultureel Centrum In It) is one of Amsterdam's last standing autonomous cultural venues that revolves around the elements of inclusivity, DIY action and a wide variety of live music as well as political and social activities. Besides local indie bands, jazz or world music it's also a home for free improvisation, psychedelic electronics, noise, punk and much more. OCCII emerged from the Amsterdam squatting scene of the 80's and later gained a legal status. It slowly but surely established itself as one of the true free spaces for music heads in town built on community principles.

Thanks to its many volunteers, it has a consistent weekly program of music, children's activities, workshops and talks. Throughout the last 30 years OCCII as a venue has gained a cult status among many international underground musicians that came to play. Simultaneously it has built a broad audience that reaches far beyond Amsterdam. To celebrate the 30th anniversary today, the 14th of September 2022, it's time to share a live recording from the early days of the venue. Moreover, there are not many recordings from that early period, so if someone happens to have any other material from that time feel free to get in touch.

Gnot was an Amsterdam based ever-changing free improvisation and noise rock collective founded by Arjan van Sorge that was active throughout the 90's. During their live performances they also added a few theatrical and dance elements. Encyclopedia Galactica is a live recording of Gnot at OCCII Amsterdam that took place on September the 30th, 1994. On this occassion the band consisted of Arjan van Sorge (Drums), Bram Hessels (Guitar), Peter Verzijl (Guitar), Joe Williamson (Bass) and Pisti Benecz (synthesizer).

The concert was improvised and later divided into individual tracks with different titles and released privately on cassette in limited quantities. It's a little relic from the 90's underground scene of Amsterdam when free improvisation had its connection with the local squatting scene and different artist communes as well as autonomous (pirate) radio stations while the soil was being laid down for local underground venues like OCCII. Some other impro-noise acts from around those days were the Amsterdam based ex-Yugo acts of a.o. Gone Bald and De Reizende Verkoper and ofcourse the many ofshoot acts of the late great The Ex.

Long live the OCCII! 

This post is dedicated to everyone that has played a part at OCCII over the last 30 years.

Check out OCCII Amsterdam today.

From the collection Allard Pierson/NPI

Get it HERE

Monday, 8 November 2021

The PamelA Mind B.and - 3rd Side Experiments -1996- (Cassette, Self-Released), Wales

 

Next up on the blog is this quite mysterious project from the 90's called The PamelA Mind B.and which was created by Mark Reeve. I'm guessing that he hailed from Wales because one of the tracks was recorded live at the "Bell In" in Gwynedd. The music is quite noisy and consists of long improvised electronic soundscapes and radio cut-ups combined with other distorted sounds generated through various pedals and machines. The music is being introduced at the start of the tape as a sonic search for a so called "third shadow side" of the cassette through the exploration of its sounds, hence the title 3rd Side Experiments.

Even though a lot has been done in this particular field of music it does have a dreamlike and surrealist touch to it. It reminds me somewhat of the Canadian act Dust That Collects that was posted on the blog some time ago. The PamelA Mind B.and was featured on a tape compilation during the 90's but I'm not sure whether more material was released.

In any case another fine DIY cassette with some nice plunderphonics-bruitist-table-full-of-equipment-noise-music from the last decade of the last century. 

Enjoy it HERE

Monday, 12 July 2021

Ken Thomas - Beat The Light -1980- (LP, Fragment), UK

As some of you might know the important English record producer and recording engineer Ken Thomas has sadly passed away a couple of days ago. After some reflections on his legacy and talking with a blog friend we decided to give attention to an obscure solo album that he released in 1980. It wasn't really to be found somewhere and after a bit of searching somebody was kind enough to provide the album.

Ken Thomas had an important role working as a recording engineer for a wide range of influential bands from the 80's onwards. He was involved with bands like Psychic TV (Force The Hand Of Chance, Dreams Less Sweet - which he recorded Holophonically), 23 Skidoo, Clock DVA, The Cocteau Twins, The Sugarcubes, Sigur Ros and many many more. Some of the early music he worked on was released through the British Fetish Records. A music label that started out by re-releasing Throbbing Gristle's The Second Annual Report and later publishing iconic tribal industrial and post-punk bands from England. 

The fact that Thomas created an album of his own in 1980 is somewhat lesser known, specially in the light of all the music productions he was involved with. Beat The Light is a collection of minimalist electronic and experimental tracks that he recorded between 1973 and 1979. It's another example of the early industrial, electronic experimental sound from England. The music is reminsicent of a.o. primitive Cabaret Voltaire, the experiments of Thomas Leer and Robert Rental, early Clock DVA or even some of the cassette works by Colin Potter. A nice obscurity of British DIY music.

In commemoration of Ken Thomas.

Get it HERE

Monday, 9 November 2020

Renegade Raspberry Retaliation ‎- My Name'll Be There -1986- (Tape, Northampton Musicians Collective), UK

Renegade Raspberry Retaliation was a band from Northampton, Northamptonshire, England that consisted of Richard Powell and T. Brice Bodsworth. The band was part of a larger community of musicians that organized itself within the region as the Northampton Musicians Collective. It seems that RRR wasn't active for too long despite belonging to this larger community.

Their only release - My Name'll Be There - displays a fantastic DIY post-punk sound including monotonous vocals, angular guitar movements, dirty garage rock tunes and repetitive analog synthesizer patterns. The music fits the typical English DIY sound reminiscent of bands like Amos and Sara, Sally Smmit And Her Musicians or Brain of Morbius later on. It even has some hints of The Fall (obviously dozens of bands could be named).

I guess Renegade Raspberry Retaliation actually still sounds fresh nearly 35 years later. The sound is bleak, punk, experimental, fairly absurdistic and contains quite some self-irony. At the same time it creates musical depth through simplicity. All the right musical ingredients for high value authentic British DIY post-punk I'd say (infused with some American themes). An unknown classic!

Kindly donated by the Y Create Archive

Get it HERE

Wednesday, 25 December 2019

Various Artists - Bijna 2000 Jaar Geleden -1983- (Cassette, A.E.D. EMI Bovenmaats), Netherlands


Merry Christmas and an Archaic New Decade to all friends and followers of the blog!

Wait a second, is that Jesus? Portrayed as a punk? Well, that will always be a bit of a tricky analogy within punk circles and beyond. But anyhow! Bijna 2000 Jaar Geleden (Translated: Almost 2000 years ago) is a rare Dutch (hardcore) punk compilation from the first hour compiling different punk bands from smaller cities of The Netherlands. It was released by the Volendam based punk label Anti-Esthetische Dienst (anti-esthetic service) created by Niels de Wit who is also compiled on this cassette with his band Gepøpel.

Ironically Volendam, of all places in the Netherlands, is actually mostly known for the worst of the worst commercial sound of Dutch schlager pop-music of which I won't give any examples here. It's a tricky and fairly untrue statement but I would say that most real and influential punk from The Netherlands from the early days did not come from the big cities, but more so from small places. The Ex, one of Holland's most important real anarcho-punk groups also partially came from the village of Wormer, which tells us something.

Bijna 2000 Jaar Geleden came out as the alternative Christmas gift for the whole family for the end of the year holidays of 1983. It mostly consists of live recordings of punk bands that either sing in Dutch or English. The songs have typical punk subjects like anti-religion, anti-establishment and the opposal of the average daily life in society. Short and simple tracks often badly recorded as they should have been. One of the highlights is the track "Kortjakje" which is a famous Dutch children's song about Kortjakje, a poor and maybe alcoholic woman who is always ill throughout the week except for Sundays when she goes to church. The punks invert the plot of the song in the booklet and ask the question: why can't Kortjakje be ill on Sundays?!

This cassette came with an extensive booklet containing DIY collage, visual information on the lyrics of each band and ofcourse some drawings on the Christmas theme. As always I added the scans to the file below. This is another nice relic from the Dutch punk scene. More of the A.E.D. label and dozens of early Dutch punk tapes can be found in the No Longer Forgotten Music archive (it requires some searching).

Get it HERE



Message:

What an amazing ride it was musically in 2019. In terms of material it looks very bright for the blog in the next year. I might even have larger opportunities coming that would lead to a great amount of treasures of obscure music but we have to wait how that unfolds. But even now I can almost not believe some of the stuff that still lies around here, so I'm generally content. A decade ago when I was a teenager I was dreaming of creating a blog like Archaic Inventions and the surprising thing about it is that I managed to make it happen somehow.

2020
An additional music discourse that I want to introduce to the blog in the next year is a.o. the attention for the underground origins of dance music, to retrace some of its autonomously conquered components and explore a bit of the ethics away from what became part or has always been part of the new era of neoliberal gentrified club culture. Also I felt I had to bring some more punk music to the equation as you can see, because I find that the music zeitgeist has been marginalizing some of the important DIY functions lately compulsively changing the view on the so-called creative conditions for a praiseworthy piece of music to exist. It's a tendency that also divides certain musical genres from their often common origins and polarizes the music scene more than it brings people together. The world has changed.

I'm working on a couple of reissues with great (reissue) labels (Discos Transgénero, StroomTV,  Futura Resistenza etc.) writing liner notes for them (more on that soon). Also I will publish a cassette of my own music (old and new) soon in the beginning of the next year and hopefully another album later on. Maybe I have one or two other surprises up my monkey sleeve. Anyway, I'm just doing what I can do, or something like that. I just want to say much love to you all and I'm grateful to all you listeners out there. And grateful for all you talented people in and out of music! Also for the great amount of creativity on the upperground, but realize that the underground has to receive some sustainable care too. Really more than ever.

So ofcourse (far away from this blog) a special thank you to the marginalized music multitude, the people showing local resistance, music activists and the unpaid or the unruly who keep organizing events and concerts, who are making their unorthodox music, who keep pushing under difficult circumstances. Keep it weird and feel comfort in the fact that you feel that you don't want to uphold an image publically (online), we're all connected.

A last special thanks to all the music blogs out there still doing what they do best. It's a huge effort, in free time, for the love of music. Respect!

Kitartás! See you in 2020!

Bence - AI

Sunday, 25 November 2018

Down With People - Same -1990- (LP, Circularphile Records/Nadirean Extensions), US


Down With People was an experimental art rock outfit from Rochester, New York that consisted of Jan Cermak (voice, clarinet percussion), Jack Schaefer (guitar), Zeppi (Bass), John Grieco (drums), Brad Watson (violin), Dan Schelley (bassoon), Steve Peck (trombone) and Carl German (organ).

DWP is a classic example of absurd art rock groups from the US reminding me of dozens of bands, from The Jaunties to Care of The Cow to Blacklight Braille etc! Its existence at the beginning of the 90's makes that the band is portraying a hybrid sound in-between the weird art damaged rock from the 70's and 80's and a more indie sound that would become dominant in the 90's. There are various songs with strange lyrics, deconstructed rock moments and lots of improvisation. I guess the band is a good example of the transition of musical decades, holding on to a DIY ethic with their crazy artwork and experimental approach as well as a healthy dose of absurdism and critique of society in a proto-indie or grunge manifestation.

The bass player Zeppi also did an experimental album in 1988 on the same label Nadirean Extensions. It was posted on the great, now inactive, music blog Continuo ages ago.

Get it HERE

Monday, 5 February 2018

Broken Paws - Same -1986- (Tape, Self-Released), Canada


Broken Paws was a solo project of one Richard Reynols from Calgary, Canada. On this only self-titled cassette he plays a variety of different instruments in combination with electronic drum computers and synthesizers, creating over an hour long cassette full of minimal synth and experimental home-taping tracks.

I guess in a way some tracks carry a similar zeitgeist of other minimal synth artists from Canada in the eighties like Ohama, Ceramic Hello, or Lou Champagne System. Still I think that Broken Paws has a much stronger experimental DIY approach to it, not afraid to move far away from the common sounds of the overly known corporate analog gear doing a new wave pop-song (although some tracks come close).

There is a lot more insane manipulation, cinematic sound improvisation and the creative blend of instruments in the form of analog synthesizers with a clarinet or a music box. In a way atmospherically it stands much closer to the tape-album of Canadian artist Edie Steiner but it also has a feeling of stuff like Unovidual, Á Suivre or Brobat Enema.

Anyway, it's still quite a good and varied release with some nice minimal synth, new wave and home-taping experiments. Also it has a lovely art work. The cassette has been digitized before as part of the Noise-Arch Archive, but the first ten minutes of that particular tape were damaged and absent, so hereby I can present it in its entirety!

Get it HERE

Thursday, 19 January 2017

Peter Roos - Klimax -1983- (LP, Private Pressing), Sweden


This is a very obscure self-made minimal synth wave record from one Peter Roos from Sweden. He published this record of which the cover is hand-made out of cardboard in very small quantities. Some information written by Peter Roos I found on Discogs:

Hi, the thing is that I ordered 500 vinyls. only around 150 copies came out to market. Every single sleeve is handmade..most by me, but also my girlfriend and another friend at the time. Think we managed around 200. So I still have some left. In the late 90´s I threw away many(just the record)´cause no interest at all in many years and needed some space. Lately there has been some interest and have also given away to charity. Kind regards. Peter Roos. 

This record has a very distinct "home-made" solo-project feeling to it. Some of the songs are quite experimental whilst others are a bit poppy. It does have something contemporary to it as well. Most songs have vocals in Swedish. It reminds me a bit of the Venezuelan private wave record by Vinicio Adames that I posted some time ago. I think that the drumcomputer used on Klimax has to be a Soundmaster SR-88, one of the greatest and most primitive drum machines from the early eighties (also used by The Actor for example).

Peter Roos made one other self-released album in 1984. His primitive electronic music can be placed within the Swedish DIY scene of the eighties next to Njurmännen, 18:e Oktober, Porno Pop Moon Family, Konduktör Records bands etc. It's just not as dark as many of those acts. Nevertheless a great album!

Get it HERE

Tuesday, 29 March 2016

De Afvalbanden - Same -1981- (Cassette), Netherlands


From the liner notes:

After owning an Akai 4000 for over a year, I have several reel tapes full of used, unusable and unused pieces of sound and music. The choice between buying new reel tapes or to erase them leads to a compromise: publishing them. With that 1 hour of experiment. Instrumental, vocal, neuropop and real cover versions, pieces of audiotape of a VHS and a slide-show, in short: the household waste of the home industry. May 1981.

Apparently Peter Mertens was behind De Afvalbanden, which means The Trash Tapes. He used to be a member of early Minny Pops and also of The Young Lions, which means he was part of the core of the so called Ultra movement in Holland. This cassette is another lost piece of the vast Dutch home-taping underground. De afvalbanden is a solo effort and DIY collage of buzzing primitive synthesizers, strange vocals, guitar plucking, tape manipulation, silly songs and unidentified sounds. All taking place in a netherworld inside of a garbage can (so it sounds).

The cover of the cassette is made up of a transparent piece of plastic with trash drawn on it. It is combined with a cut-out piece of trash bag highlighting the drawing in grey. The ultimate cover for The Garbage Tapes I'd say. It is very much a product of the early eighties home-taping culture due to its essence being rooted in the medium of the cassette. Listen to the mysterious trash tapes yourself!

Get it HERE

Friday, 9 October 2015

Storm Bugs - Gift -1981- (Tape, Snatch Tapes), UK


This here is the third and last cassette by the great UK experimental electronic DIY home-taping duo Storm Bugs. Storm Bugs was formed in 1978 in London, by Philip Sanderson and Steven Ball. Between 1978-81 Storm Bugs released 3 cassettes on the Snatch Tapes label and two 7-inch records: the Table Matters EP and the Metamorphose single. Storm Bugs created music comparable to bands like Throbbing Gristle or early Cabaret Voltaire. Snatch Tapes is a prime example of the British DIY sound of the late seventies and early eighties and gained a legendary status among fans of the experimental home-taping culture. It also released the first David Jackman (aka Organum) cassettes. You should read this piece written on UK cassette culture by Philip Anderson himself.

Although most of the Storm Bugs and Snatch Tapes material has been reissued, this cassette contains unrereleased tracks. With that being said I strongly recommend you to support Storm Bugs and Snatch Tapes related music by purchasing it at their bandcamp or at VOD. More Snatch Tapes stuff here and here.

Enjoy!