Liza Neliaz - 3 Absolute Items -1988- (Cassette, Self-Released), Belgium

Liza Néliaz (1958 - 2001) was a Belgian electronic dance music producer and hardcore techno DJ from Ostend. Coming from a musical family s/he started out making music in the early 80's as part of different Belgian new-wave groups with which s/he also toured around often. During this decade Neliaz was involved with the home-taping circuit making lots of music ranging from industrial to experimental proto-dance styles. S/he also contributed tracks to international cassette compilations. An example is the compilation Music From The White House: France that came out on the great Exart label that was ran by Dutch home-taper Hessel Veldman (he and his wife Nicole also established a close friendship with Liza later).

During her lifetime Liza Neliaz lived everywhere and nowhere and had a nomadic approach to a life that was fully dedicated to music. For years s/he lived in France, but s/he also resided in London as well as spending many years in Holland. By the end of the 80's and the early 90's Neliaz was one of the key people who immaculately envisioned the connection between the electronic wave sound of the 80's and the newly risen dance music genres and rave culture. Her home-made dance music work can be seen as an evolutionary missing link of the techno and house revolution. Neliaz used a live set-up of hardware that could play entire live sets producing many different sounding tracks that would follow each other up in a sequence without leaving breaks in-between. S/he took the skills s/he developed as a home-taper and developed it into this trance inducing live-set formula that would later become prevalent in dance music. Some of that amazing early dance music will come to the blog later on this year.

During the 90's Neliaz would give up live music to become an important hardcore techno and gabber DJ, producer and a household name of the underground rave culture. S/he passed away too early in 2001. Until this day Liza Neliaz is still praised for her work and her DJ mixes and is refered to as an inspiration in hardcore techno circles.

On this short self-released tape we can hear a sound that still leans more towards the 80's, but is already rather dancefloor oriented with funk influences. One of the tracks is dedicated to the Slovenian industrial group Laibach. On this tape we can already hear how tracks merge into each other: it's that (live-set) approach that makes this so ahead of its time.

In loving memory of Liza 'N Eliaz.

Kindly donated by the Y Create archive

Get it HERE

Various Artists - Music From The White House Volume 2: It's A British Treat -1987- (Tape, Exart EA029), UK/Netherlands

Here we have another (and also last) of the Exart compilations that had a country as their theme. Exart was the tape-label by Hessel Veldman aka Y Create. He used to be one of the key figures in the home-taping network of the 80's releasing and collaborating with numerous musicians. Besides the Y Create project he was in the band Gorgonzola Legs and did many collaborations with his wife Nick Nicole, Cora and fluxus artist and Dutch underground cult-figure Willem de Ridder.

De Ridder also had his Radiola Improvisatie Salon radio program which played a hugely important role for the home-taping scene in The Netherlands. The idea was that every tape that was sent to the radio show would be played without being heard in advance. A very unorthodox and adventurous approach that sometimes led to the discovery of jaw-dropping musical pearls of unknown musicians.

Music From The White House Volume 2: It's A British Treat consists of different English artists (as well as an Irish one) who were mainly active in the home-taping circuit. Most of the cassette comprises of projects by Steve Hartwell who played music under many different guises like The Dead Goldfish Ensemble and The High Tech Pagoda's. Then there is Dave Arnold (a multimedia artist from Essex who used to run the Dead Happy Records label during the 80's) under his project The Starkman as well as a track of his post-punk group Turn Blue. Also Rob Baylis is present under his disguise The Detective and many other artists.

Like many of the Exart compilations the A-side shows more poppy home-taping tracks and the B-Side more sonic experiments. Other Music From the White House volumes are here and here.

Kindly donated by the Y Create Archive

Get it HERE

Před Vaším Letopočtem - Same -1991- (LP, Primus), Czech Republic

Although obviously there are many exceptions, the musical decade of the nineties in Eastern Europe (or the former socialist countries in Europe, as you wish) is largely the equivalent of underground music in the seventies and eighties in the west. Not only was it after the fall of the iron curtain that previously unknown and "illegal" bands were able to finally publish their music, also their influence trickled down into fresh bands of the beginning and mid-nineties. Because of a certain creativity that was mediated by or against political inlfuences as well as certain underground music traditions from before the communist system collapsed, the music was not always based on trying to be western or something hype. People understood how they related to their own national underground. Due to a slight delay in getting familiar with new genres and contemporary music finding its way randomly to Eastern Europe in the early nineties (and also before) the music there developed fragmented. Nevertheless, in result it was often taken a lot less shallow by the people than in western countries where there was a constant musical (production) overload combined with a constant competitiveness of setting the new tone. The nineties in Eastern Europe were musically an open field field of creativity, an explosion of freedom. It was a moment of hope, change and seizing the moment to harvest full creative potential.

Před Vaším Letopočtem was a Czech trio from Prague that consisted of Vlastislav Matoušek on bass and vocals, František Janče on guitar and vocals and Jan Jeřábek on keyboards and vocals. Musically they play a quite simplistic and repetitive rock music that thrives on wave-y patterns and occasional experiments encompanied by lyrics in Czech. Obviously they stand on that verge of the change of pollitical systems sharing some of their sounds with peer-bands like Půlnoc, Máma Bubo or Onkel Zbynda’s Winterrock (O.Z.W.). It also hints a bit to Czech synth band Betula Pendula (that made an album not really worth to listen to) and even to the Greek group Chapter 24.

It's not as groundbreaking as some of the stuff I am about to post from Eastern Europe the coming year on the blog, but it's definitely nice unclassifiable underground stuff that carries a free spirit and shows the Czech Underground in full effect. Před Vaším Letopočtem also released another cassette in the same period. If anyone could share that one I'd be very grateful!

Get it HERE