Amsterdam Stringtrio ‎- Dodekakania -1986- (LP, DATA Records), Netherlands

The Amsterdam Stringtrio was a one-off project formed by Cellist Ernst Reijseger, Violinist Maurice Horsthuis and double bass player Ernst Glerum. Three Dutch string instrument musicians that recorded this album in Amsterdam for the occasion. All of them have been members of the ICP Orchestra and have played with many other respected improvisation and jazz musicians, from Lol Coxhill to Derek Bailey.

To me this album is a bit too much substantiated with classical music influences, instead of the anarchic improvisation I usually like. But nevertheless it's still very atmospheric and gets into more adventurous parts throughout its progression. In any case it's another piece of the Dutch avant-garde music puzzle that I try to give attention to on the blog every now and then. It reminds me a bit of Louis Andriessen's soundtrack Golven, Harry Sparnaay's Bass Clarinet Identity II or the Brazilian MEC 70 compilation: all posted here on the blog a long time ago!

Another highlight to me is the incredible artwork of this album which was designed by the artist Maryke de Vries and specially printed by artist Zeger Reyers. Dodekakania was limited to 500 hand-numbered vinyl copies.

 Get it HERE

 

Message:
There's a chance the blog will run out of material in the near future, although there are still posts to come. It is getting increasingly harder to find material and I have been doing this for quite some years now. I'm not saying that this blog will shut down, but I need to see how the future will develop regarding Arhcaic Inventions based on new material and the future developments in my personal life. It might also somehow elevate or expand into something new, yet similar. Let's see!

Various Artists - Opus '72 -1972- (LP, Radio Nederland), Netherlands

After Opus '70 and Opus '71 that I posted on the blog, here is Opus '72 introducing modern composers and compositions from the Netherlands in 1972. The Opus series were distributed to foreign radio stations to promote Dutch contemporary composed music. The series are essential for exploring Dutch avant-garde and contemporary composed classical music of the previous century.

The first programme consists of a long piece by Rob du Bois inspired by Romanian composer Alexander Hrisanide . The piece requires a pianist not only to play the piano but also an electronic organ, a toy-piano and a large tom-tom. It's an interesting musical piece in which strange piano sounds are the centre.

The second programme consists of pieces by Ton de Leeuw (which I posted before) and Tristan Keuris. De Leeuw's piece is inspired by Indian music and thought in which a flute, played by Abbie de Quant, plays the main role. De Leeuw who studied ethnomusicology was the teacher of Tristan Keuris. Keuris' piece is created for alto-saxophone and an intuitively responding orchestra.

Get it HERE
 

VA - Risonanze/3 - Evocazioni Musicali di Temi Biblici -1979- (Tape, Edizione Paoline), Italy

After Risonanze 2 which was posted earlier on the blog, here we have the third and last in the series. Risonanze was published through papal record label Paoline from the Vatican and was based on biblical themes. The composers of the music were Ennio Morricone, Egisto Macchi, Gino Marinuzzi, Armando Trovaioli, Miriam Bordoni and Luigi Zito. These compositions were surely not primarily created as biblical themes, but gathered for this particular series and perhaps renamed. I'm sure most pieces are a lot older than 1979 as well. Very strange music history indeed.

If I compare the two Risonanze volumes I think that the first one is a bit more diverse and less classical in its approach. This one sticks far more to some sort of traditional biblical theme than the other. The pieces tend more towards classical and folk music, but nevertheless create imaginitave cinematographical atmospheres. Some of the songs have electronic sounds, whilst others have choirs of sacral voices. Ofcourse many of these Italian composers are undoubtedly some of the best in existence so this is beautiful music. Who has volume one of the series?

Get it HERE

Donated by Kim


Also wanted to say that these coming months I will have some truly in-cre-di-ble posts coming and you will love it! Stay tuned!

Various Artists - Opus '71 -1971- (LP, Radio Nederland), Netherlands

After Opus '70 which I posted a while ago here's Opus '71, another showcase of modern composed Dutch composition this time from the year 1971. The Opus series started out in the mid-sixties and went on all the way to the end of the eighties. They were promotional copies send to foreign radio stations to show contemporary developments in Dutch music. For this reason every composition has an introduction in English. The Opus series were not regularly for sale which makes them quite hard to find.

The featured composers on Opus '71 are Ton de Leeuw, Peter Schat, Jan Vriend and David Porcelijn. Their pieces are quite freeform and spacious resulting in unexpected sound movements and strange sonorous adventures. I like these compositions because I can listen to them in a less rigid way than regular classical music because of their improvisational components. Also due to the use of electronic instruments and electric guitars in some of the pieces a multi-layered sound is created. Especially programme 2 is very weird and takes on some strange imaginative conceptual ideas in music which you can read about on the insert.

It's remarkable that even here in Holland there isn't that much public interest or exposure for this type of Dutch music and composition. The Opus series create a great opportunity to dig into the surprising world of Dutch modern composed music of which many compositions are already quite forgotten.

Get it HERE

Guus Janssen - On The Line -1980- (LP, Claxon), Netherlands

Guus Janssen (Heiloo, 1951) is a Dutch composer and pianist. He is a somewhat lesser known figure coming from the Dutch free improvisation and jazz scene. Janssen is known to approach music in a very open way and to blur the borders of  musical genres like classical, jazz, impro or popular music. He is a frequent member of the famous Dutch impro-jazz ICP Orchestra. Since the early seventies he has been collaborating with most of the renowned Dutch improvisation musicians like Harry Sparnaay, Theo Loevendie, Han Bennink, Ab Baars and others. Nowadays Janssen is still involved in many musical projects.

On this album Janssen displays his solo piano improvisation efforts. There are lots of unexpected piano movements and manoeuvres present combined with pieces written by himself. On The Line came out on the great Dutch record label of improvised music Claxon which featured a.o. records by Michel Waisvisz, Maarten Altena and Moniek Toebosch. All of that stuff is really worth it to check out and a must for fans of Dutch impro music.

Get it HERE

Juan Carlos Nuñez y José Ignacio Cabrujas - Same -1980- (LP, Private Pressing), Venezuela

This record here is a contemporary composed avant-garde album from Venezuela. It was created by one of Venezuela's most important modern composers Juan Carlos Nuñez and the famous playwright and one of Latin America's most important telenovela writers José Ignacio Cabrujas. Among Cabrujas' work are soap opera adaptations for the famous Venezuelan novels Doña Bárbara and Canaima written by Venezuelan writer (and once president) Rómulo Gallegos. It's interesting that men so famous created this pretty unconventional musical piece. During this album Nuñez leads the orchestra and plays the piano and synthesizer, whilst Cabrujas wrote the lyrics.

The album is a thematic homage to the city Caracas and showcases a combination of spoken word poetry, modern composed pieces, latin motives and invocative sound impressions. Some of the pieces contain Venezuelan instruments like the cuatro. It sheds light in an impressionistic and unconventional way on the daily life of Caracas but also shows its profound depth and the serenity that lives underneath the city's hectic character. Ofcourse this particular feeling lives on in today's Caracas as well.

The first side is a bit crackly, but this is quite impossible to find in any condition I'd say, mainly because of its limited copies.

Get it HERE

VA - MEC 70 - Música Do Brasil Volume 1 -1970- (LP, Ministério Da Educação e Cultura), Brazil

This is a rare Brazilian compilation of Avant-Garde composers from the early seventies. There existed a couple more records in this series (MEC 70, MEC 71) published by the ministry of education and culture of Brazil. One of them was posted ages ago by Continuo. The MEC series was created to showcase all Brazilian contemporary Avant-Garde music including musique concrète and electronic music in the early seventies.

On this record, which I believe is the first in the series, there are three Brazilian composers present: Edino Krieger, Ernst Widmer and J. Lins. All pieces are performed by the Orquestra Sinfônica Nacional. The first side is by Edino Krieger with his piece Ludus Symphonicus from 1965. It's a modern composed strictly classical piece reminding me of Harry Sparnaay's Bass Clarinet Identity II that I posted a while ago. It constantly evolves from tension to de-tension and is occasionally influenced by Brazilian rhythms. Unfortunately this side of the record turned out to be quite crackly.

The second side consists of two pieces: Quasars (1970) by Ernst Widmer and Policromia (1970) by J. Lins. These pieces are more spacious and experimental so to speak and evoke more futuristic images because of their cinematographic nature. Speaking about futuristic, I really love the sixties and seventies graphic and optical art from South America (in design, architecture etc.). It integrates and combines the beautiful natural and often tropical environment with geometrical modernity and the space age. The MEC covers all look amazing.This music has to be placed in that context too.

Enjoy! HERE